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This Is Not A Cry For Help; It's A Work Of Art (but thank you for your concern)

10/10/2020

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Picture
"This Is Not A Cry For Help; It Is A Work Of Art (but thank you for your concern.) Acrylic and chalk dust on board
Continual work on this singular idea. And I like what I'm seeing. If you like what you're doing, if you like what's happening in front of your eyes, enjoy it. Now is not the time to wonder if anyone else will like it, if it's saleable, what will a gallery think, how much would someone pay for it, or if it fits anywhere in the "canon of American art"? Now is the time to simply give in to your artistic instincts. Have some fun, but it's more than fun; it's using your given talents to do something that you not only enjoy but, well, not everybody will think so, but you think what you're doing is good. That's the best feeling in the world. Once I was a residency and all of these writers were discussing who they thought was a good person to critique their work. (To be fair, they all had just graduated from some pretty prestigious, expensive schools so they didn't know anything else but someone telling them if they were any good or not.) And I'll tell you: An artist might have some trusted friends or peers to give them an opinion, but in the end it's the artist who is in the best position to know if their own work is any good. At the very least, you get a good night's sleep out of it, not tossing and turning, being kept awake by your art demons.

The pandemic gave me the chance to pick up brush and paint again, something I had been longing to do but just couldn't work that into my life, and right now I'm still working small, I think the way our psyches work small, why we aren't born bigger than we are. There are the everyday forces of painting at play. Start small, baby steps, learn to control this size, then you grow. That's what's happening with my painting. One idea is leading to the next, and it's making me happy. I have to say, spreading the paint on the board was very sensual. I'm enjoying working on this painting simply because it feels so good.



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In The Garden: 08.16.20

8/16/2020

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In the garden, as in how intimately you learn about each garden you make each year. Every garden is different, and as the seasons go on (it feels like fall today) I wonder how much time will I have left? Answer: That plot of land will be there in December. But as I have finally mustered the courage to pick up a paint brush again, my sense of color quickly changed, and it changed how I use a camera.
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In The Garden: A ContinualWork In Progress

8/5/2020

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When I say, In The Garden, I mean IN it. Inside it like a rabbit might see it. See it for all the magic and beauty and fantasy that's there.
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More In The Garden

7/31/2020

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How Covid-19 Changed Me As An Artist

7/9/2020

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Picture
The Big Bang
My world has gotten so very small, and while it's testing me in every way, including my patience, and I am not a patient person, I think all in all it's a good thing...a good thing for my art, I mean. I'm doing things and trying things that I wouldn't have if I didn't have the time. If the world hadn't just gone...kaplooey! And it's also made me really focus on what's important.
Today at the doctor's the PA said, you'll need about three or four months to recover; that's not really a lot of time, and I replied, yes it is. Someone died the other day--they were 71, and I thought, that's six years away for me. Imagine if you were told you were going to prison for six years. Imagine you were told you only had six more years to live. Covid-19, for me, made time very important. Now it might be two years before I can visit the Musee de Cluny again. See Barcelona. See Chaco. Hike the West Highland Way. And in those two years, who knows what may happen...to me...to things. For a claustrophobic, when your world locks down, when it closes in, in any way, it affects you. It affects your breathing.

Three months ago, when Covid-19 became a real thing and anyone who had paid the least bit of attention in high school science class knew exactly what we were in for, the first thing I thought to jettison was achievement. Suddenly, my ego-driven desire for attention didn't seem all that important. I actually unfriended a bunch of people on Facebook who, truth be told, I was simply trying to impress. Suddenly, the idea of trying to impress some white, male, millennial with an intentionally bad haircut just to promote my images seemed awfully embarrassing.

With Covid -19 we couldn't not only travel internationally, going to the grocery store became a major excursion. (Frankly, it still is; see above about high school science class.) Then I lost my passport and my knee flared up and wow, my world got really small. My world narrowed all the way down to my backyard vegetable garden. That was pretty much the only place I consistently go, and even then I'm like Christina's World, I hobble back there and then crawl around with my camera. But that narrowing and slowing down didn't go unnoticed. And that's where I am. My world got really small...

Yesterday I made one image. One image I really liked. It made me happy to do it, and that was fine with me. It made me happy unlike the rejections I get when 800 people send in five images and mine wasn't one of the 4,000 the curator had to choose from. (How fucking ridiculous is that?) Or it made me happy, unlike the feeling I get when only five people give one of those hearts on IG. (How fucking pathetic is that?)

So for now, if anyone wants me, I'll be out back, crawling around with a DSLR with a 35 mm lens attached--a lens that I used to use all the time but for some reason traded it in for a 70 - 100 mm zoom--and sometimes a flash. And if I can make one good image, the day is pretty good. That's how small my world has gotten.
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    John Greiner-Ferris is a multi-disciplinary artist in the Boston area. Sometimes he makes images. Sometimes he writes. Sometimes he does both.

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